Faith Pierce is our Post Production Coordinator at Apex Post Production. Before joining Apex, Faith served as Morning Show Producer at iHeartMedia, where she managed end-to-end production for a nationally syndicated radio show and podcast across 85+ markets in the U.S. and overseas. That role sharpened the scheduling, workflow management, and cross-functional coordination skills she now brings to Apex's ADR and voiceover sessions as well as post production sound pipelines. A skilled Pro Tools operator and recipient of the Louisiana Association of Broadcasters’ Producer of the Year Award, Faith holds degrees from Berklee College of Music and the University of Southern Mississippi.

Julia Perret works as a sound editor at Apex Post. Since graduating from Loyola University New Orleans with a degree in Digital Filmmaking, Julia can be found wearing many different hats at Apex. While Julia primarily spends her time in the editing bay working on dialogue, she also has experience as a foley mixer and editor on several features and shorts, as well as an ADR recording assistant on many of the productions that pass through town. Having grown up in the city, Julia hopes to continue working locally in the sound field for film and television.

Aidan Dykes has worked at Apex Post Production since 2015. Born and raised in Baton Rouge, he quickly relocated to New Orleans after graduating from LSU’s E.J. Ourso College of Business to begin making his mark as a sound designer, ADR mixer, re-recording mixer, and sound supervisor. Outside of work, Aidan enjoys playing music, field recording effects and ambiences, mixing cocktails, and spending quality time with his wife and their two beloved cats, Joni and Oblio.

Joe Diliberto works with Apex Post as a sound editor, recording assistant, and general tech consultant.

Born and raised in Birmingham, Alabama, he relocated to New Orleans during his attendance at Loyola University New Orleans where he majored in Music Industry Studies. Joe's unique background in music production, IT, and film has allowed him to pioneer new and vital roles at Apex: He designs and oversees the company's data pipeline, storage and backup processes, and has built and configured multiple custom PCs and servers. Recently in 2024, he is happy to have designed Apex's first remote editorial workflow. When not at Apex, Joe works as a freelance web developer as well as audio engineer, producer, and manager for local New Orleans artist Will Dickerson. 

He has two cats and likes to think of himself as a "cool dude."

Stephen brings many years of Avid Media Composer genius to the picture editorial team at Apex. He is known for his work as editor on features Shapeless (2021) and Plum Town (2022) as well as the short film The Rougarou (2019). Stephen has also been Assistant Editor on Hollywood hit movies Fantastic Four, Jack Reacher: Never Go Back, and Trumbo.

Jeremy Edwards, a New Orleans native, began his film career in Los Angeles, working on projects including The Social Network, Contagion, and 12 Years a Slave. He later moved up to assistant editor on feature films such as Blackhat and Sicario before editing Hulu/A24’s award-winning series Ramy and the indie feature Stalker. Most recently, he edited the documentary Last Night at Lounge Ax.

After years in Los Angeles, Jeremy returned home to New Orleans, where he continues to edit and produce across narrative, documentary, and branded content.

Andrew joins Apex bringing with over 13 years of experience as a freelancer in video post-production, working on various projects from music videos and short films to industrials and documentaries. He has a passion and expertise for film and video editing, using Final Cut Pro X, Avid, and Adobe Premiere to bring stories to life through creative and technical editing. He has also worked as an Assistant Editor and Additional Editor on several feature films, such as Magnum PI, The Estate, and Reminiscence, where he supported the lead editors and directors. Additionally, he has dabbled in VFX work and storyboard animatics, enhancing my skills and expanding my portfolio. His goal is to continue working on challenging and diverse projects that showcase his skills and values as a film and video editor.

Paul Grass is a film editor living in New Orleans. He has been working professionally as an editor for over 20 years, working on a variety of different types of projects. Everything from national TV spots, features, short films, documentaries, and even epic safety videos, Paul has seen and cut it all.

Kristin McDonnel is an Assistant Editor. She started her post production career in Los Angeles, where she worked on shows such as America's Got Talent, The Movies documentary series (CNN) and Cola Wars (History Channel). Kristin also worked with Emmy award winning documentarian Marina Zenovich on LANCE and Jerry Brown: The Disrupter. Since moving back to her hometown of New Orleans, she's worked on a handful of projects, including a documentary on high school football recruitment, OWN's Queen Sugar and Disney's Secrets of Sulphur Springs. Kristin has a love for all things film (especially Kurt Russell).

John Beyer is 6'1" and is a black belt in Squirrel-fu. He is fluent in Avid and Adobe software, but his proudest accomplishment is having won a bet in 2009 in which he moonwalked for an entire week due to a lost bet. He can bench 200.